
Candid, revealing long-form conversations with leading minds about their life and work through the lens of time. Host Spencer Bailey interviews each guest about how they think about time broadly and how specific moments in time have shaped who they are today. Explore more at timesensitive.fm
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<p>The novelist, essayist, and short-story writer George Saunders—widely celebrated for his novel Lincoln in the Bardo (2017), which won the Man Booker Prize, and book of short stories Tenth of December (2013)—has made it his mission to “de-dullify” the world through his clear-eyed, empathic, often-puckish prose. There’s an unwavering spirit of generosity embedded in the way Saunders tells stories and teaches his craft that ensures his readers and students alike stay along for the ride. Saunders’s curiosity about the afterlife, a recurring motif in his writing, rises to the fore in his latest novel, Vigil, which follows a pair of gh...

<p>There’s an animate quality to the biomorphic sculptures of the self-taught, Utah-born artist Alma Allen. His works, carved from wood, marble, and bronze—and informed by his deep appreciation for the natural world—appear as if they’re living, breathing things, at once prehistoric and futuristic. Far from fixed objects, they eschew any overt symbolism or predetermined narratives.</p> <p>For this “site-specific” episode of Time Sensitive, our milestone 150th, we traveled to Mexico City to sit down with Allen inside his family’s home there to discuss his highest-visibility exhibition yet: “Call Me the Breeze,” a solo presentation at th...

<p>To be in a room with one of the artist and audiophile Devon Turnbull’s texture-rich Ojas hi-fi audio systems may be the closest one can get to being in the studio with the musicians themselves. It’s not a stretch to call what he creates “sound sculptures”: Over the past two decades, Turnbull has built up his company Ojas through experimentation, engineering, and deep exploration, and in recent years, his work has been presented at SFMOMA, as well as at Lisson Gallery, both in New York and London. Currently at the Cooper Hewitt, Smithsonian Design Museum (through July 19), as part...

<p>According to the Japanese-born, New York–based architect Shohei Shigematsu, there’s such a thing as a building being too refined. What matters most, in his view, is creating what he calls “memorable space”: the antithesis of anything lifeless or lacking a symbiotic relationship to the city or its surroundings. As a long-time partner at the firm OMA, Shigematsu leads its New York studio with a sense of openness, radicality, and unexpectedness. This philosophy connects the dots between his multifarious projects, whether they take the form of the new diamond-like extension to the New Museum in New York; the torquing...

<p>Over six decades and counting, the postmodern choreographer and dancer Lucinda Childs has built an exceptional, category-defining body of work grounded in a style that draws as much from “pedestrian,” everyday movements as it does from her foundational ballet training. Emerging out of the 1960s Judson Dance Theater in New York City, Childs founded her namesake company in 1973 and has created more than 50 works since. This year will see two major New York presentations of her pieces—the first, from March 14–15, 2026, at the Guggenheim as part of Van Cleef & Arpels’s Dance Reflections Festival, will restage five of her early danc...

<p>The Swiss-born, London-based curator, art historian, and Serpentine Galleries artistic director Hans Ulrich Obrist moves through his life and work with a deep internal sense of urgency. Among the most prolific and everywhere-all-at-once people in the world of art—whose peripatetic path has taken him from a sheltered upbringing in a small Swiss village to his current post in London at the Serpentine—Obrist has been curating shows for more than three decades. During this time, he has recorded conversations with thousands of artists, architects, and others shaping culture and society. He’s also the author of dozens of books...

<p>When the artist Jennie C. Jones listens closely to a piece of music, she’s particularly attuned to its pauses, in-between moments, and breaks. Widely celebrated for her abstract works in painting, sculpture, and sound art that, in many instances, incorporate architecture or space—through which she often elevates undersung or little-known Black artists and musicians—her practice is largely informed by minimalism and color field painting, as well as by jazz and avant-garde music. Jones currently has two exhibitions on view at the Pulitzer Arts Foundation in St. Louis (through Feb. 1, 2026): “A Line When Broken Begins Again,” which features a...

<p>As the CEO of Art Basel, Noah Horowitz has made it his mission to ensure that the international art platform is seen, valued, and experienced—far beyond its art-fair roots—as a cultural catalyst and “opportunity accelerator.” Over the past 55 years, beginning with its tight-knit origins in Basel, Switzerland, in 1970, Art Basel has evolved into an international juggernaut, with best-in-class fairs also in Miami Beach, Hong Kong, and Paris—and soon, under Horowitz’s leadership, Qatar, with an edition debuting there in February 2026. With more than two decades of experience, and as a tireless advocate and enthusiast for all things art...

<p>Over the past two decades, the artist Theaster Gates has poured himself into his multifaceted practice that spans pottery, painting, sculpture, urban development, performance, archival research, and arts administration. Along the way, he has risen to become one of the most widely celebrated figures in the world of art, transforming abandoned, dormant buildings in Chicago’s Grand Crossing neighborhood, on the city’s South Side, into dynamic third spaces for social, cultural, and spiritual communion; linking his hometown of Chicago with Japan, where in 2004 he trained with master potters in the coastal city of Tokoname and has maintained a deep...

<p>The British designer Jay Osgerby believes in designing rigorously simple objects that are deeply felt and, hopefully, appreciated for generations to come. As the co-founder of the London-based industrial studio Barber Osgerby, Jay and his partner in the firm, Edward Barber, emphasize experimentation, innovation, and a material- and craft-forward design approach to their products, furniture, architecture, and interiors. Across their nearly 30-year history as a studio, Barber Osgerby has taken a “fewer, better things” approach and along the way built a rich and varied body of work that includes the 2012 London Olympics torch, a commemorative £2 coin (2012), a Victoria and Alber...